Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was ...
Nguyễn Thị Nhài | Chat Online | |
07/09 15:25:45 (Tiếng Anh - Lớp 12) |
Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.
As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.
To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.
Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.
It may be inferred from the passage that the first musical cue sheets appeared around _______ .
Lựa chọn một trả lời để xem Đáp án chính xác Báo sai đáp án hoặc câu hỏi |
A. 1896 0 % | 0 phiếu |
B. 1909 0 % | 0 phiếu |
C. 1915 0 % | 0 phiếu |
D. 1927 0 % | 0 phiếu |
Tổng cộng: | 0 trả lời |
Trắc nghiệm liên quan
- Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were ... (Tiếng Anh - Lớp 12)
- Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were ... (Tiếng Anh - Lớp 12)
- Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were ... (Tiếng Anh - Lớp 12)
- Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were ... (Tiếng Anh - Lớp 12)
- Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were ... (Tiếng Anh - Lớp 12)
- Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were ... (Tiếng Anh - Lớp 12)
- “Where is the university?” is a question many visitors to Cambridge ask, but no one can give them a clear answer, for there is no wall to be found around the university. The university is the city. You can find the classroom buildings, libraries, ... (Tiếng Anh - Lớp 12)
- “Where is the university?” is a question many visitors to Cambridge ask, but no one can give them a clear answer, for there is no wall to be found around the university. The university is the city. You can find the classroom buildings, libraries, ... (Tiếng Anh - Lớp 12)
- “Where is the university?” is a question many visitors to Cambridge ask, but no one can give them a clear answer, for there is no wall to be found around the university. The university is the city. You can find the classroom buildings, libraries, ... (Tiếng Anh - Lớp 12)
- “Where is the university?” is a question many visitors to Cambridge ask, but no one can give them a clear answer, for there is no wall to be found around the university. The university is the city. You can find the classroom buildings, libraries, ... (Tiếng Anh - Lớp 12)
Trắc nghiệm mới nhất
- Nói về nghệ thuật tuồng của Việt Nam, nhận định nào sau đây là không đúng ? (Tổng hợp - Đại học)
- Nói về nghệ thuật chèo truyền thống của Việt Nam, nhận định nào sau đây là không đúng ? (Tổng hợp - Đại học)
- Trong các loại hình nghệ thuật sân khấu truyền thống của Việt Nam, loại hình nào chịu ảnh hưởng của văn hóa Trung Hoa nhiều nhất? (Tổng hợp - Đại học)
- Trong các loại hình nghệ thuật sân khấu truyền thống của Việt Nam, loại hình nào chịu ảnh hưởng của văn hóa phương Tây sớm nhất? (Tổng hợp - Đại học)
- Cấu trúc “iếc hóa” trong ngữ pháp tiếng Việt ( sách siếc, bàn biếc, yêu iếc, chồng chiếc…) phản ánh đặc điểm gì của nghệ thuật ngôn từ Việt Nam? (Tổng hợp - Đại học)
- Trong tiếng Việt, lớp từ xanh lơ, xanh ngắt, đỏ rực, đỏ au, vàng chóe, vàng mơ, trắng tinh, trắng phau… góp phần phản ánh đặc điểm gì của nghệ thuật ngôn từ Việt Nam? (Tổng hợp - Đại học)
- Câu đối là một sản phẩm văn chương đặc biệt phản ánh đặc điểm nào của nghệ thuật ngôn từ Việt Nam? (Tổng hợp - Đại học)
- Câu ca dao “Yêu nhau yêu cả đường đi, ghét nhau ghét cả tông ti họ hàng” phản ánh đặc điểm gì trong văn hóa giao tiếp của người Việt? (Tổng hợp - Đại học)
- Thói quen nói chuyện “vòng vo tam quốc”, luôn đắn đo cân nhắc kỹ càng khi nói phản ánh đặc điểm gì trong văn hóa giao tiếp của người Việt ? (Tổng hợp - Đại học)
- Người Việt Nam đặc biệt coi trọng giao tiếp và rất thích giao tiếp. Đặc điểm này thể hiện trong thói quen: (Tổng hợp - Đại học)