Read the passage below and decide whether the statements are TRUE or FALSE? Inanimate objects are deployed to endless would-be-scary effect in Annabelle, and it’s not just the supremely creepy doll that is its star. Set in the late 1960s, the story concerns young married couple John (Ward Horton) and Mia (Annabelle Wallis). Mia is heavily pregnant (and is the character’s name a sly homage to the star of Rosemary’s Baby?), and her husband gifts her with the large-size doll she’s apparently been ...

Read the passage below and decide whether the statements are TRUE or FALSE?

Inanimate objects are deployed to endless would-be-scary effect in Annabelle, and it’s not just the supremely creepy doll that is its star.

Set in the late 1960s, the story concerns young married couple John (Ward Horton) and Mia (Annabelle Wallis). Mia is heavily pregnant (and is the character’s name a sly homage to the star of Rosemary’s Baby?), and her husband gifts her with the large-size doll she’s apparently been coveting to complete her collection. That fact that the horrific-looking thing resembles Bette Davis in What Ever Happened to Baby Jane? seems not to concern them in the slightest. Before Mia gives birth, the kindly elderly couple next door is murdered by their wayward daughter Annabelle and her boyfriend, members of a Manson Family-type satanic cult. In the film’s best and most truly terrifying scene, the intruders subsequently break into John and Mia's house, with the male shot dead by police and Annabelle slashing her own throat while clutching the doll.

The understandably rattled couple quickly moves into a creepy apartment building in Pasadena, but the shift in locale doesn't prevent things from inevitably going bump in the night. The doll, which John had dumped in the trash, makes a miraculous reappearance in one of the moving boxes and assumes a place in the infant's bedroom.

Although we never see the doll orchestrating any of the mayhem — it remains steadfastly immobile throughout — Mia is soon subject to a series of increasingly terrifying events, with a pair of neighboring children contributing to the air of dread via some crudely monstrous drawings. Looking for answers in a local bookstore, Mia tells the friendly proprietress (Alfre Woodward) that "I think we’re being haunted by a ghost." Her crisp reply: "Aisle four — follow me."

The kindly elderly couple next door passes away before Mia gives birth.