If the Japanese are proud of kimono, Koreans are proud of traditional hanbok, Vietnamese people also have ao dai. The ao dai has become a symbol of Vietnamese attire in the eyes of international friends. Ao Dai has a long history. Through many changes, the traditional dress has become the ao dai representing the beauty of Vietnamese women.
No one knows when the original ao dai was born and what it looked like because there are no records. The oldest clothes of the Vietnamese people, according to the pictures engraved on the face of the bronze drum Ngoc Lu a few thousand years ago show a picture of a woman wearing a dress with two split sleeves.
The oldest type of Ao Dai was the oldest, which was similar to the four-body shirt, but when worn, the two front bodies intersect without tying. Overcoat overalls, black silk skirt with belts. In the past, the ladies were in a bun on top of their heads or wrapped around their heads, wearing long feather hats; Later, they removed their feathered hats to wear towels, towels, conical hats, basket hats, ancient people walked barefoot, and later on, wooden clogs, sandals and shoes. Because they have to work in the fields or trade, the consignment shirt has been reduced to a four-body style (including the front half flap: front half flap, left front half, right back flap, left rear flap). Four-body shirt is worn over a short skirt with straps to facilitate carrying but still does not lose the woman's beauty.
Some documents claim that the birth of the national dress is due to the private ambitions of Lord Nguyen Phuc Khoat. Because he wanted to proclaim the king and separate Dang Trong into his own nation, so he gave the decree of dressing as above to be different, not from the resident but from the North Dynasty. The first ao dai looked like the Cham ao dai and had a split armpit.
In 1930, an artist made an important reform on a four-piece shirt to make it only two front and back flaps. The front flap is extended by the artist to enhance the flexible drawing in the step, and the upper is sewn to follow the wearer's body curves to create a very unique and charming look. To add a feminine look, the front row of buttons was moved to a shirt opening along the shoulder and then along one side. However, there were many changes in ao dai that many people at that time considered to be too "hybrid", such as seams, bulging sleeves, or open necks. In addition, the new ao dai must be dressed in fashion with white satin pants, high shoes, an umbrella with one hand and a dress on the shoulder.
In 1934, another painter, Le Pho, removed the stretchy and tough lines of the new ao dai, at the same time added ethnic elements from the four-body shirt, five-toned, and created a long neck style. glasses, hugging the body, while the lower flaps are free to fly. This combination was too harmonious and complete between the new and the old, and was warmly welcomed by women at that time. Since then, Vietnamese ao dai has found its standard shape, and since then, despite many ups and downs, many times of reform and innovation, the shape of the ao dai has basically remained the same.
In the 1960s, there was Dung Tailor in Dakao, Saigon that offered Ao Dai with raglan hand assembly. This way of assembling solved the most difficult problem when sewing Ao Dai: wrinkles often appeared on the armpits. This assembly method varies in that the row of buttons are arranged running from under the neck diagonally down the armpits, and then running along one side. With the way raglan hand assembly, the fabric is closely followed the human body from under the armpits to the waistline, making the ao dai snugly hugging each woman's body curves, creating more beauty.
This version is widely applicable to girls. According to this version, the raglan long-sleeve shirt has a pillow-length flap, but the two wide pants cover the legs, at the same time, when walking, there is a glimpse of the shoe under the silk wave. These two characteristics make the girl's dress boldly innocent, cute and have captivated many boys.
Different from Japanese Kimono or Korean hanbok, Vietnamese ao dai is both traditional and modern. This female attire is not limited to only certain places or holidays, but can be worn anywhere, used as office clothes, school uniforms, outfits or to receive guests in a formal manner. important at home. Wearing this kind of outfit is not cumbersome or fussy, "customary parts" are simple: wearing with a pair of silk or soft fabric, with your feet wearing a comedy, clogs, or shoes; If formal is required (such as a bridal outfit) add a traditional gown and scarf, or a western crown, as you wish. This is the feature of this unique traditional costume.
The ao dai seems to have its own way to beautify all the bodies. The upper part hugged the body, but the two flaps let go very soft with wide pants. The two flaps on the waistline make the gesture of the wearer comfortable, creating a graceful, feminine appearance, both tight and tight), the body is covered with soft silk, and also revealing. It shows