Water puppetry in Hai Duong province is an intangible cultural heritage that is part of the folklore art form which has been included in the List of Intangible Cultural Heritage by the Minister of Culture, Sports and Tourism. National 2012.

Water puppetry art

Water puppetry stage

Water puppetry was born more than 10 centuries ago in the Red River delta. This form usually takes place on the occasion of the festival, village festival, happy day, Tet holiday, puppet show, play on the water. Water puppetry is also considered as a special intangible culture of the Vietnamese people.

Due to the special characteristics, from folk art, water puppetry has quickly become the traditional art, comparable to classical, rowing is the art of high position in the stage. nation. Puppetry is in many countries around the world, but water puppetry is unique in Vietnam.

The forerunner of traditional theatrical art is folk performances. There are many types of traditional stage performances, such as rowing, puppetry, water puppetry, ca tru, tuong ... It is remarkable that, in the traditional performing arts, rowing, dancing Water puppetry and ca tru are the type of stage performances deeply bold cultural identity of rice farmers in the North Delta.

water Puppet

The characters in water puppetry

Puppets made of figs, light wood floating on the water, are chiseled, hewn with their own stylized outlines, then trimmed, polished and decorated with many different colors to decorate the lines of calculation. way for each character. The puppet's shape is usually fresh, funny, humorous and highly symbolic.

The tangled part is the surface of the water showing the character, while the base is the submerged part of the water that keeps the turbulence on top and the place where the machine controls the puppet movement.

Controls and controls in the water puppet show the action of water puppetry on stage, which is the crux of the art of water puppetry. Water puppetry can be divided into two basic types. The machine and wire machine are responsible for moving the puppet and creating action for the character. Controls are hidden in the water, using water power, creating remote control, offering viewers many strange, unexpected.

Water puppet show house is usually built in ponds and lakes with balanced architecture symbolizing the communal roof of rural Vietnam.

The artisan standing in the cubicle to control the puppet. They manipulate each pole, rope, spike ... or jerk puppets by wire system arranged outside or under the water. The success of the water puppet mainly looks at the movement of the body, action its drama

Water puppet show is a space in front of the playroom. The stage and stage is equipped with flags, fans, elephants, parasols, portals ... The show is bustling with lyrics, drums, drumsticks, imprisonment and, murmuring artillery, ash, artillery flags from under the water, in sparkling light and fanciful fanciful

Water puppetry is a clever exercise for expressing language, tangling water with music as the art of dance. Music controls speed, keeping pace, leading the movement, causing air with traditional rhythms playing the leading role of water puppetry, water puppetry often use the traditional folk or folk songs of the Northern Delta

puppetry art

Water puppetry in Vietnam

The art of water puppetry is an indigenous cultural product of the Vietnamese ethnic group, developed in almost all villages around the Thang Long Citadel such as Dao Thuc, Dao Xa - Dong Anh District, Nanh Pagoda - Gia Lam, Hai - Thanh Ha - Hai Duong and many puppets in most provinces of the Northern Delta.

In addition to the Central Puppetry Theater and Thang Long Puppetry Theater, there are some famous wards such as Dao Thuc, Te Tieu, Trang Son, Binh Phu, Thach Xa, Nguyen Xa and Nam Chan.

Particularly, in these localities, there are turmeric puppets of Tay ethnic group in Dinh Hoa district, Thai Nguyen province. From 13 years, the puppet profession is maintained by Ma Quang family. Although experiencing many ups and downs, the craft is still transmitted today. Puppeteering puppies are kind of puppies, usually puppeteers have 12 members including the controller, music players and some helpers. The puppets' control in Tham Rue Puppetry is also different from other puppets. In addition to some puppets using jingles, held in their hands, most of the puppets are driven through bamboo sticks.

In 1992, the Thang Long Puppet Theater in Hanoi restored 17 water puppet shows to raise water puppet show nationwide including 17 games: Flag, Tooth, Dragon Dance, Buffalo Baby, Transplant, Frog , Duck, Fish, Vinh Phuc, Sword Dance, Le Loi Sword, Children play, Boat race, Lion Dance, Tuoi Tre.

In Ho Chi Minh City, there is the Golden Dragon Water Puppet Theater.

puppetry art

Status

Today, most foreign visitors to our country want to see water puppetry. Water puppet show in Hanoi is full of audiences. Through thousands of n

Chèo is a traditional Vietnamese stage. Cliffs in the north of Vietnam with focus on the Red River delta and the Ha Long area is mountainous midland and North Central. The stage of development, people. Chèo is a clothing and is considered the sound stage of the festival with the characteristics of multi-lingual, multi-meaning combined with the way of talking about confidence. If the Chinese music scene is represented by Peking Opera and the Japanese stage is the script, the most typical of the Vietnamese stadium tradition is rowing.

Cheo stage art has undergone a long process of use from the 10th century until now, going deep into the social life of Vietnam. Chèo reflector, full of the right of the people, the people of the people. the people of the people . It is because of the content of strong thinking that in Cheo is full of literary genres: lyrical, romantic, epic, use, poetry training, ... than other types of art such as tuong, cai luong, quan quan ...
Chèo has a history dating back to the 10th century, under Dinh Dynasty. Hoa Lu (Ninh Binh) was the home ground of Cheo stage, founder of Pham Thi Tran, a talented dancer in the imperial palace. After that, the paddies developed into the delta of the North. The area from Nghe Tinh to back. Chèo derives from folk music and folk dance, especially parody from the 10th century. Over time, the Vietnamese developed the Cheo short stories based on these parodies into longer pieces. The development of Cheo was a milestone when the Mongolian military song was captured in Vietnam in the 14th century, named Ly Nguyen Cat. This soldier, who is an actor, brought Chinese opera to Vietnam. Previously rowing only talk and immersion in folk songs, but due to the influence of art by the soldiers were brought, rowing has more singing.èo is associated with living activities, the festival of the Vietnamese. The Red River Delta is always the cradle of the wet rice civilization of the Vietnamese. Once the crop is harvested, they organize festivals to entertain and thank the gods for the harvest. The main instrument of the cheo is the cheo. The drum was part of ancient Vietnamese culture, farmers often beat drums to pray for rain and perform rowing.

Chèo is the general art, want to see the beauty, beauty, the characteristics of Chèo must directly to the Cheo show, the play. Especially, if the subject of some of the tune to see the charm of Chèo's curiosity to listeners. Chèo has to learn how to sing Cheo, since it has the foundation to create, enhance and add new characteristics to the art of Cheo. Chèo singing is the stage singing, can be a person, can many people sing chorus. The melodies of Chèo tunes are very suitable for the natural voice and the Vietnamese language. Chèo singing is derived from folk melodies, the lyrics of Chèo in folk literature in the North Delta is mainly. In addition, the Chèo tunes are influenced by Van singing, Xam singing, Ca Tru singing, Xoan singing, Quan họ singing ... Cheo singing is a national art form with long lasting, unique and universal. turn. It meets the needs of aesthetics, education and serves effectively for the spiritual life of the people so Cheo is always loved by the people, keeping [5]

On the content, unlike tuong just praise the heroic action of the elite, rowing also depicts the simple life of rural people, praising the noble qualities of man. Content of rowing books from fairy tales, Nôm stories; elevated to a high level by theatrical art with real value and deep thought. In rowing, the good usually wins the evil, the good hearted students, gentle, always pass, as the wife and the definition, will eventually be reunited with her husband. The major collections are from fairy tales, Nôm stories; dancing music from folk songs; poetry is mainly folk poetry. The cheo often performs funny things, the bad habits of life as the role: blind teacher, mute mute, deaf, Quan Am Thi. In addition, cheo also shows humanity, as in the role of Zhang. Chèo always associated with "lyrical", expressing the emotions and personal feelings of people, reflect the common concern of humanity: love, friendship, love.Chèo uses at least three string instruments, including the lute, the erhu and the lute, and also the flute. In addition, the musicians use more drums and cymbals. Percussion if full, there are drums, drums, drum, bar, box. Baby cots are used to keep pace for singing, for dances and for cymbals. There is a saying "empty drum paddle" refers to the important position of the drum in the cheo night. In modern rowing, other instruments are used to enrich the accompaniment such as the hex, the zither, and so on.
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With the development of the times, people are constantly evolving, so the folk culture lost the value of this art form, including Cheo. Therefore, we need to set aside and develop Cheo so that our country can harmonize itself and introduce to you the five continents that "Vietnam is a poor economy but diversified and rich with many kinds of people. That lafmootj points indispensable to anyone who went to Vietnam and heard the Cheo "

Hãy lập sơ đồ về hệ thống quan lại Thời Lý và Thời Trần ??

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